AL and AL make spectacular computer generated videos, created entirely in their blue screen studio focussing on the power of the media, its effect on contemporary pop culture and those absorbing it. Their new work, Eternal Youth, continues AL and AL’s exploration of the desire to be immortal, and whether society’s obsession with celebrity provides a possible opportunity to have your name remembered, by whatever means. The film charts the murder of a superstar, Winston Glory (performed by Liverpool artist and singer Philip McHugh) who is assassinated by a fan who felt he was “possessed” by the fictional musician. Resonating with the murder of John Lennon, and his killer, Mark Chapman’s own defiant utterance that by killing the most famous man in the world he also achieved a notorious fame, Eternal Youth contemplates the endless potential to define our own notoriety and identity via modern technology, whether it be through YouTube or on a mobile phone. As the story unfolds, rendered in stunning CGI, we are constantly reminded we are watching a virtual reality, but forced to confront how much of contemporary culture exists virtually, and how this has a tangible effect on our lives. Interstellar Stella and Perpetual Motion in the Land of Milk and Honey both originally commissioned for television and broadcast on Channel 4 in 2004 and 2006 have won AL and AL several awards and nominations.
In today’s celebrity obsessed culture, contemporary media platforms such as YouTube and mobile video devices increasingly allow us to control and manipulate our own image, providing endless possibilities to reform our identities and become a ‘somebody’. AL and AL’s installation in FACT’s Media Lounge invites visitors into a blue screen studio where they can literally perform a part in an AL and AL future film production. The installation allows the audience to have a direct, performative and instantly mediated experience - which not only references the popularity of television programmes such as X-Factor (a show that has played a massive part in increasing youth culture’s desire for celebrity status and fame), but also recalls important video works such as Dan Graham’s Present Continuous Past(s), Renejke Dijstra’s Buzzclub or Phil Collins’ The World Won’t Listen.
Through their use of CGI, live performance and animation as well as their direct referencing throughout the history of art, film and culture, artists AL and AL are true pioneers in their ability to render the harsh reality of synthetic times and a digital world in flux. For more information please, visit www.fact.co.uk and and download a trailer for Eternal Youth follow this link www.images.fact.co.uk/movies/
Labels: Awards and Events